A diamond short, a decade late
I come to stand outside your gate
Unlock and open, let me in
Forgive me, love; what is my sin?
I come to stand outside your gate
Unlock and open, let me in
Forgive me, love; what is my sin?
I fled from you across the land
But now I ask you for your hand
A decade late, a diamond short
I can't imagine why you snort
But now I ask you for your hand
A decade late, a diamond short
I can't imagine why you snort
My limbs are frail, my breath is cold
I must admit I may look old
I fall, I kneel, why—I implore
You are the woman I adore
I must admit I may look old
I fall, I kneel, why—I implore
You are the woman I adore
I feel so weak, I feel so brittle
Don't touch! I may be impotent a little
You loved me once—or so I thought
Stop! Take your fingers off my throat—
Don't touch! I may be impotent a little
You loved me once—or so I thought
Stop! Take your fingers off my throat—
I painted Late Lover from the point of view of the girl he had left behind. She and you, the observer, are one. He is yearning to come back home. A blue cape is flung around his shoulders, which allows the eye to stay with him, rather than drift off to the background, seen in the spaces between his flimsy ribs. More importantly, you can see the withered flowers he lays at your feet, and the ring being cast off your finger, straight onto his head. The words 'A diamond short, a decade late' are carved into the door frame, perhaps with your fingernails, scratching letter after letter over the long-drawn-out years of waiting for him...
Having painted him all day, the voice of Late Lover came to me at night. The next morning I wrote his poem down in a single breath, and never made any corrections, never replaced a word or adjusted the rhythm--because it came to me completely ready.
