Friday, January 15, 2016

A Heartbreaking Search for Love and Acceptance!

Janice Spina is copy editor and an award-winning author with nine children's books. She writes poetry and novels, the first of which is Hunting Mariah. I am thrilled to discover her review of My Own Voice:  


on January 10, 2016
This is the first book I have read by this talented author. My Own Voice is a powerful story of love, lust, betrayal and loss. Anita is the main character that cannot find herself. With a mother who is tough on her showing her little love and a harsh home environment that she cannot escape from, she meets Lenny, an older man one day with whom she quickly becomes smitten. Unbeknownst to Anita this older man is only looking for a replacement for his beloved wife who has Alzheimer's. Anita just happens to look like Natasha.

The author writes through the slang and uneducated voice of her main protagonist which touches the reader with its simplistic style. She makes the reader care for this poor soul and her search for love and acceptance.

An enjoyable but heartbreaking journey to read that I would recommend to all.

Thursday, January 14, 2016

@aharemboysaga asks, What inspired you to write the series?

Bernard Foong has written about his youth, when he was spirited him away to the Middle East to serve in several wealthy and aristocratic harems. I am thrilled to visit him at his blog, titled In-the-Harem, for an interview. The first thing he asked me was, what inspired me to write my series, Still Life with Memories? To which I said,

Natasha, the renowned pianist suffering from early-onset Alzheimer's in my book Apart from Love (volume I and II of the series, woven together) kept coming back to haunt me. Her character was not an easy one to develop. The primary challenge is that she has no voice. She is utterly silent, which makes her son Ben hope—at first—that she can be reached, that he can 'save' her. 

Want to read more? Check it out: Interview with Uvi Poznansky

Tuesday, January 12, 2016

Let me in, hold me tight! Don’t resist me, do not fight


  
Mirrored in the open wing of the piano, her face is so young, so alive with the red glow of her hair. Her green eyes shine back from the polished surface. This, I suppose, is why my father is so drawn to Anita. Apparently, he wants her to learn to play the piano, but then—even though she is just a beginner—he expects her to reach a level which no one can sustain. Not even mom.
In our family, forgiveness is something you pray for, something you yearn to receive—but so seldom do you give it to others. 
“Go away, Ben,” says Anita, without even turning around. “I don’t want to play. And you, you can’t make me! Hell,” she says sharply, “I’ll do as I please.” 
Now she darts a glance at me as if to ask, What, you laughing at me? 
No, I wish to say. What I want is... Well, I am not really sure: perhaps, just to lay my head here, on your shoulder. Perhaps, to lean my brow against your lips. Perhaps, to touch the tiny freckles on your cheek. Above all else, I want—but cannot bring myself to tell you—I really want to hear you laugh. 
Just like here, this note. Listen, can you hear it? This soft sound, rolling, rising, ringing up here?
Anita shakes her head, as if she could detect the whisper, the quiet whisper of my thoughts. To me, her pose is so alluring when she bends down to the floor, in the shadow of the piano, to pick up some crumpled piece of paper. Then she starts twisting away under me. For all I know, she is aiming to get up, to leave me here, alone. 
Is this a game she is playing with me? I do not have the faintest idea. But if it is, perhaps I can beat her in it. 
So then, bang! I pound the keys, this time fortissimo—with full strength!—as if to cry, Stop! No more darkness, no more gloom! There’s a thud, there’s a boom! Hear this, right here? Hear my voice? Tell me, Yes—you have no choice! 
And before this phrase fades out Anita straightens her back, and places her hand on the keys. Then, to my astonishment, she plays the next phrase of music, this time with raw, intense force, which I never knew existed in her, bringing it to the verge of destruction, making it explode all around me. And I, in turn, explode with the following one, because how can I let her outdo me? I am, after all, The Entertainer... 
Here I come! Here I drum! No more woes. Let me close! Let me in, hold me tight! Don’t resist me, do not fight—
At this point Anita kicks the bench back, and I tip it over behind us. She sways her hips to the beat, and I tap the floor. And we find ourselves bouncing there, almost dancing in place, playing the piano side by side: she on the high notes, I—on the low. 
Her intervals are somewhat uneven, her melody is off, here and there. But these things do not matter—not to me, anyway—because just like Anita, or even more than her, I happen to be out of control, maybe because it has been a long while since the last time I practiced. I have not touched the keys for so many years, out of nothing else but rebellion, a silent rebellion against my mother. So my fingers feel a bit rusty—and yet I respond, quite swiftly, to the way Anita plays. I do it in an instant, harmonizing the sound, filling in some of the awkward intervals with a flurry of chords. 
Sometimes I find myself having to take my hand away, so she can play the same key immediately after me. On some notes, my right hand crosses her left hand, in an exchange that is wild and fiery—like no duet I have ever seen, or listened to! One way or another it blends, it mixes into a sound, which you might call a crude, unruly, unrestrained racket. But to the ears of a madman, it can be called music.
If my mother could see me now... If, out of nowhere, she would appear—which would make me jump to attention—I can only imagine how she would draw back, how she would wince at having to listen to this thing, this terrific uproar, which for some reason, makes it all the more delightful to my ears.


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Monday, January 11, 2016

I kissed him, so sweet and so long



The minute our eyes met, I knew what to do: so I stopped in the middle of what I was doing, which was dusting off the glass shield over the ice cream buckets, and stacking up waffle cones here and sugar cones there. From the counter I grabbed a bunch of paper tissues, and bent all the way down, like, to pick something from the floor. Then with a swift, discrete shove, I stuffed the tissues into one side of my bra, then the other, ‘cause I truly believe in having them two scoops—if you know what I mean—roundly and firmly in place. 
Having a small chest is no good: men seem to like girls with boobs that bulge out. It seems to make an awful lot of difference, especially at first sight, which you can always tell by them customers, drooling. 
I straightened up real fast, and it didn’t take no time for him to come in. I was still serving another customer, some obnoxious woman with, like, three chins. She couldn’t make up her mind if she wanted hot fudge on top or just candy sprinkles, and what kind, what flavor would you say goes well with pistachio nut, and how about them slivered almonds, because they do seem to be such a healthy choice, now really, don’t they. 
He came in and stood in line, real patient, right behind her. So now I noted his eyes, which was brown, and his high forehead and the crease, the faint crease right there, in the middle of it, which reminded me all of a sudden of my pa, who left us for good when I was only five, and I never saw him again—but still, from time to time, I think about him and I miss him so.
I could feel Lenny—whose name I didn’t know yet—like, staring at me. It made me hot all over. For a minute there, I could swear he was gonna to ask me how old I was—but he didn’t. 
And so, to avoid blushing, I turned to him and I said, boldly, “It’s a crime?” 
And he said, “What?” 
And I said, “To be sixteen. It’s a crime, you think?” 
And he said, “Back in the days when I was young and handsome, that was no crime.” 
And I countered with, “Handsome you still are!” 
He had no comeback for that, and me, I didn’t have nothing with which I could follow it up. So I asked, “So? What kind of cone for you?” but that woman cut in, ‘cause I was still holding her three-scoops tower of pistachio nut on a sugar cone. And she started to cry out, and like, demand some attention here, because hey, she was first in line and how about whipped cream? Or some of that shredded coconut? 
So I smiled at her, in my most cool and polite manner, and squeezed out a big dollop of whipped cream, which was awesome, ‘cause it calmed her down right away. 
And I scattered some of them coconut flakes all over—quite a heap—and went even further, adding a cherry on top. At last, I raised the thing to my lips, because at this point, it was starting to drip already.
Then, winking at him, I passed my tongue over the top, and all around the ice cream at the rim of the cone, filling my whole mouth and, just to look sexy, also licking the tips of my fingers. Then I came around the counter, swaying my hips real pretty, and steadying myself over the wobbly high heels. I came right up to him, and before he could guess what kind of trouble I had cooked up in my head, I kissed him—so sweet and so long—on his lips, to the shouts and outcries of the offended customer. 


Many readers asked me about Anita, the girl in the midst of a firestorm of passion in my new book, Apart from Love. She is so different... How, some of you have wondered out loud, did she spring from your mind?

The answer is, at first I decided to model her as the-opposite-of-me. By which I mean a lot more that just her use of language (talking in sentences laden with 'like' and the dreaded double-negatives.) Anita was to become a bold and spontaneous spirit, anything but repressed. She would be promiscuous. Her voice would be shockingly direct.

I do not even know how it happened, but once Anita started talking in my mind—which she did for nearly a year—I started to like her more and more. I asked myself, how would she play against Ben, who is a complex character, hesitant, highly sophisticated? How would she play against Lenny, a would-be author who is so proud of his refined expressions, when her background is so different from his?

To my surprise, Anita ended up taking over not only the story, but also me.


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Embraced by love you don't need much

No need for jewelry, makeup, fashion
Truly, all you need is a touch of passion
Embraced by love you don't need much
Except sweet fragrance and a gentle touch
These tales of desire are like a colorful bouquet
Awakening memories, sweeping you away

Lose yourself in a touch of passion. Whether it’s the magic of a kiss or the agony of heartbreak, explore love in these captivating full-length novels. Written by bestselling, multiple award-winning, USA Today and NY Times authors, this collection has it all: Historical Romance, Contemporary Romance, New Adult Romance, Romantic Suspense, Victorian Romance, Western and Literary Fiction. These sensual tales of love will leave you with a smile on your lips and music in your heart. 



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Sunday, January 10, 2016

A wonderful, thought-provoking collection of stories

Thrilled to find a new review for my collection of odd tales, Twisted:

on January 9, 2016
Twisted is a collection of short stories all orbiting around the idea of self-identity and purpose. Each story is completely different in context and setting from the others, but they relate in the themes they deal with. My favorite is 'I Am What I Am,' the first story, which is of biblical origins. I am not very familiar with the bible or the stories therein, yet I was able to grasp and be captivated by the themes that the author develops. I really enjoyed this work and am interested in reading more works from the author.

Saturday, January 9, 2016

Intense/Personal/Emotional/Incredible

I'm so elated to discover a wonderful review, written by a Top 500 Amazon Reviewer, for my poetry book, Home:

This is an incredible book of poems and prose written by Ms. Poznansky and her father, Zeek Kachel. Uvi found the latest writings of her father when she went 'home' for Shiva - a and never knew that they existed. She spent one year carefully translating them from Hebrew into English ensuring the translation was as correct as possible.

It is extremely rare that a book creates such an emotional read as this one did for me. I had to stop several times to completely digest the words written on the pages. Due to the personal nature of both Uvi's and her Father's poems, I felt like I was trespassing into their private worlds. Yes, I was invited into their worlds but the prose and the poetry contained therein are both deep and meaningful. I could feel the pain of the Father when lamenting about his wife's absence. I could feel the pain of Uvi when lamenting about being lonely in 'Even One Mark'. And, I am still pondering 'Blade' which was written in 2004. These are raw emotions that are somehow eloquently expressed with grace.

The entire gamut of human emotions is covered in this book - heartbreak, loneliness, questions of 'why', death and living, life and loving and even war and the instinct to survive. 'Somehow it feels lighter in the dark' is one quote that sums the book up well.

Most highly recommended.