When tears well in your eyes, I will kiss them dry

 I wish I could lie here forever, by her side, but it’s time to get up. First I turn on the radio. A song is playing, and it is so beautiful, so poignant, such a fitting note to accentuate what I feel, to bring about a possible conclusion to the highs and lows of the music of us.

In times of sorrow, when you sigh

When tears well in your eyes

I will kiss them dry

I’m on your side

You’re not alone, no need to cry

Between us there is no divide

If you’re in trouble, if you stumble and fall 

I will help you rise

If you happen to falter, if you crawl

I will help you rise

I put my pants on, go to the kitchen, fill a small pot with water and bring it to a boil for the eggs. Meanwhile I squeeze grapefruit juice into two glasses and wait for the two slices of bread to pop out of the toaster. I set two plates on the table, one on each side of the crystal vase. It is the same vase her Pa bought for her Mama to mark their anniversary a generation ago. 

I had been too drained to think about it until last night, when on a whim I bought a bouquet of fresh flowers in lovely hues of white, pink, and purple. Why did I do it? Perhaps for old times’ sake. By now I have stopped hoping to surprise my wife with such frivolities, because she pays little attention, lately, to the things I do. So for no one in particular I stand over the thing, rearranging the orchids, spray roses, and Asiatic lilies as best I can, to create an overall shape of a dome. 

And then—then, in a blink—I find myself startled by a footfall behind me. A heartbeat later I hear her voice, saying, “Lenny?”

I turn around to meet her eyes. My God, this morning they are not only lucid but also shining with joy.

In a gruff voice, choked, suddenly, with tears, I ask her, “What is it, dear?”

And she says, “Don’t forget.”

“What, Natashinka?”

“I love you.”

Spreading my arms open I stand there, speechless for a moment. Without a word she steps into them. We snuggle, my chin over her head. She presses it to my bare chest. I comb through her hair with my fingers. And once again, we are one.

Then she points at the vase.

“For you,” I say. “Looks like some old painting, doesn’t it?”

“Still life,” she whispers. “With memories.”

Then Natasha lifts her eyes, hanging them on my lips as if to demand something of me, something that has been on her mind for quite a while. Somehow I can guess it. She is anticipating an answer, which I cannot give. 

Instead I kiss her. She embraces me but her eyes are troubled, and the question remains.

“Without the memories,” she asks, “is it still life?”

The Music of Us

Audiobook US ★ UK ★ FR ★ DE ★  iTunes

Paperback ★ Hardcover ★ Barnes&Noble

The atmosphere of the 1940s is beautifully portrayed, and on a secondary level only to the (mostly) unrequited love story, it was my next treasured experience while reading this book. I loved the sounds and sights of the era, the music, the cars, and the lifestyles so well depicted. It was a fascinating dip into the life of those dynamic times.

~Aaron P. Lazar, author and Audible listener