Friday, March 21, 2014

Isaac, Rebecca, and Sons: A modernized, sometimes funny, psychological perspective

Just found this lovely, thoughtful review for A Favorite Son:

5.0 out of 5 stars Isaac, Rebecca, and Sons: A modernized, sometimes funny, psychological perspective, March 20, 2014
By 
Judie Amsel (Mayfield Heights, OH USA) - See all my reviews
(REAL NAME)   
Amazon Verified Purchase(What's this?)
This review is from: A Favorite Son (Kindle Edition)
Sometimes it is helpful to hear a familiar story from a different perspective in order to understand more of what the story says and doesn’t say. A FAVORITE SON does that with the biblical story of Jacob (Yanklel), his parents, Isaac and Rebecca, and his twin brother, Esau (Esav).
Uvi Poznansky tells the story from both a biblical and modern perspective emphasizing the psychological aspects. Basically it is the story of sibling rivalry and parental favoritism and highlights a rather dysfunctional foursome who still manage to occupy a positive place in religious history. Yankle questions how that came to be. Most of the story is identical to the biblical version but there are a few changes, some to relate to modern times.
The story, told from Yankle’s perspective, opens from him saying Esav pulled ahead of him to become the first born by a split second. That was very important because the first born child inherited everything from his father. But Yankle questions why his mother told him that (“Why would [a mother] pit one son against another?”) because of how that knowledge affected his life and made him feel “a burning desire to surpass my brother....I had to win it all–or be left with nothing.” He was her favorite, as Esav was his father’s. Poznansky does not mention the Biblical story which has God telling Rebecca before the twins were born that “the older would serve the younger.”
There are hints of Yankle’s future relationship with his own sons. Rebecca gives him the sleeve of her goatskin coat to deceive Isaac (in the original version he wears Esav’s clothes and has the animal skin on his arm) and Yankle pledges he will never show favoritism to any of his own children. (I saw Joseph and the Technicolor Dream Coat the night before I read this novella. So much for his remembering his vow.) Yankle offers Esav lentil stew, Esav asks if it’s kosher. The laws of kashrut, in fact the entire Bible, were still in the future. He decides the Yankle-in-the-Box restaurant chain was established in honor of his stew.
In the Bible, after sending Yankle away to escape his brother’s wrath, Rebecca is not mentioned again. A FAVORITE SON has him seeing her in the desert, telling him part of her story while her dress, her black veil, tells him his father had died.
Yankle considered his father to be wimp–his father sent a servant to find a wife for him, but, until he fled Esav’s fury, Yankle had never ventured away from home, either. (Isaac realized that they were very similar but that angle is not explored.) Yankle blames Isaac as well himself for his own weaknesses and notes the name his father gave him means “follower:” “How can a follower become a leader?”
As he plans to give parting advice to his sons before he dies, Isaac observed “I have come to the conclusion based on many, many years of experience, that I can expect with perfect certainty, that my advice will be utterly and immediately ignored.
While the discrepancies between A FAVORITE SON and the Bible are the writer’s prerogative, there was at least one contradiction: When Rebecca visits Isaac as he is dying, she asks “What will I do without you?” On the next page she tell him, “You have a long life ahead of you.”
Beautifully written, A FAVORITE SON tells the story behind the legend.
This book was a free Amazon download.


Thursday, March 20, 2014

Let me introduce to to my author friends


My author friends have joined me
We bring you amazing historical fiction stories 
Just in time for Easter and Passover gifts 
Click the profile image or the name of each one of us to learn about our work

Then go to A Time to Remember and join to win!

I paint with my pen, and write with my paintbrush


Southern reads, where the tea is sweet, and the chicken is fried
Learn From The Past
Author of Historical Romance, Paranormal Fiction, and Erotic Fantasy
Author of Twisted Maine Fiction


Author of compulsively readable thrillers
I lived enough to have GREAT memories but not so much I have regrets....
Bestselling author of novels from historical to fantastical.
Irish historical novelist


Wednesday, March 19, 2014

Lyrical best describes the writing in this introspective tale

I am thrilled to find a lovely review written by Sandra Nikolai, the author of False Impressions and Fatal Whispers. This is what she wrote about Apart From Love:

5.0 out of 5 stars A captivating story, March 23, 2014
By 
Amazon Verified Purchase(What's this?)
This review is from: Apart From Love (Kindle Edition)
Lyrical best describes the writing in this introspective tale told through its two main characters, Ben and Anita. Their words and thoughts are vague and disturbing at times, and I felt I had to keep on reading to get to the truth or at least find a concrete explanation for them. Facts about their earlier years are exposed as Ben and Anita unload their emotional baggage, one layer at a time, but as in real life, the story ends in an unexpected way and leaves us with unanswered questions. An intriguing novel!

Why am I moving from one literary genre to another?

Why am I moving from one literary genre to another?
This is a question I often ask myself. What I do is just the opposite of branding, perhaps because I find ways to surprise myself. So my books cannot easily be classified in the narrow confines of a particular genre, because life as we know it–and my art, which mirrors it– constantly changes from one genre to the next. One moment is is humorous; the next, it is erotic; then, it might be a tragedy. 
Consider my books: Rise to Power (historical fiction) A Favorite Son (biblical fiction), Apart From Love (contemporary fiction), Twisted (dark fantasy), Home (poetry) or Jess and Wiggle and Now I Am Paper (childrens' books), they all come from the same pen. I love writing both poetry and prose. They look different on the page: the white space surrounding the letters, in my mind, is like the surface of an ocean. In poetry, it covers nearly all the page, allowing only the a few words to erupt over the surface, because a poem in essence is a burst of emotion. As you read it, you cannot see under the white surface–there is so much hidden underneath! It is an island. In prose, on the other hand, the writer dives into the undercurrents and explores the landscape sunk beneath the surface, so there are many connections being created and being understood by the reader.
My writing has often been called ‘lyrical’ by many of my reviewers on Goodreads and Amazon, perhaps because I treat each word with great care, and give thought to every sentence, every phrase, every comma. Similar to the rhythm and rhymes in poetry, I listen to the rhythms of our speech, so the characters in my prose will talk in the flow that reflects their feelings. So all in all, I use parallel techniques for both my poetry and prose.
I bring everything I have experienced, everything I have learned into my work. My art and my writing are two sides of the same coin, which you can easily realize when you see the cover images of my books, and when you read them. 
The process of creativity is, for me, the same. It is a juxtaposition of ideas, a spark that creates an inspiration. Consider, for example, my two charcoal drawings:  The first is a study of a nude, and the second is drawn straight out of a dream, and it features several strange, imaginary creatures, at times penetrating each other, at times wrapping their arms in embrace. Unrelated as these two drawings may seem to be, they came together in my mind, to create an oil painting where reality is uncertain: both the nude and the creature are semi-transparent, and it is unclear if she is dreaming up this creature, or if it is dreaming her up.


★ Love reading? Treat yourself to a family saga ★

Sunday, March 16, 2014

It's nice to let them out of my head from time to time

When I sculpt a figure, such as here, in one of my earliest pieces, I let it age and become young again, adding and reducing wrinkles as the piece is being formed. For me, working on the audiobook of A Favorite Son is no different, and let me tell you why...


My work was lucky enough to attract the attention of an amazingly gifted voice actor, David Kudler. He is a man of a thousand voices. He says, "It's nice to let them out of my head from time to time." This story provides a great challenge for him, because it starts in the voice of Old Jacob, then as he plunges into the depth of his memories about a crime he committed in his youth, it continues in the voice of the young Jacob. 

Problem is, the transition between the two voices, the old and the young. Because it happens 'turning on a dime', the listener may think that a new character has just stepped onto the scene. So, here is a different transition, where the voice of old Jacob trails off to a whisper, at the same time that the voice of young Jacob comes in from a whisper to full volume.

Maybe I'm too picky, but I felt uneasy with 'take 2'. I figured, it is crucial we arrive at a good solution, one that does not jar the ear, one that invites the listener to the journey, so she takes a plunge into the past or rises out of it into the present, together with the character. It is also crucial because we will have more transitions coming up in the next three chapters of the book, so the same solution will apply. It will, in fact, become an audio motive of sorts. 

What i envisioned in my mind was this: with no technological 'gimmick' (such as the double track of voices in 'Take 2'), David will start the transition being old, and gradually, word by word, become young! This may be a great acting challenge, because all the listener has to go on is your voice--there is no visual clue such as the incredible hulk changing color to green, and bursting out of a body of a small little guy, whose clothes hang in tatters by the end of the transition. 


★ Love literary fiction? Treat yourself to a gift ★

"I can't praise the writing enough; the author has an incredible voice"