Wednesday, February 25, 2015

The miracle is her uncanny ability to return to old stories and make them brilliantly fresh

Author of War Songs, Grady Harp describes himself as being ever on the alert for the new and promising geniuses of tomorrow. He is an artist representative, gallery owner, writer of essays and articles on figurative and all Representational art for museum catalogues and for traveling exhibitions, and an Amazon Hall of Fame Reviewer. I am honored that he has posted this five-star review for my trilogy, The David Chronicles:


5.0 out of 5 stars David as we have never known him February 3, 2015
Format:Kindle Edition
Uvi Poznansky wears a coat of many colors. Originally from Israel where she studied Architecture and Town Planning then moving to the US where she studied Computer Science and became an expert in Software Engineering, Poznansky managed to combine the design elements of two studies into unique formats. And she has accomplished the same with the other side of her brain - making visual her ideas (she is an accomplished painter, drawer, and sculptor who has enjoyed exhibitions both in Israel and in California, her present base) and making words in poetry and in short stories and children's books. THE DAVID CHRONICLES is to date her supreme achievement. Having read each of the three volumes the reviews are combined here. RISE TO POWER is the first book of the series and is adorned on the cover with an image of her own painting!

But the miracle of Uvi Poznansky's writing is her uncanny ability to return to old stories and make them brilliantly fresh. This retelling of the Biblical David unveils a character far more profound and fragile than the slayer of Goliath. His personality radiates from every page as her grows from valiant lad to eloquent hero and Poznansky's gift for poetry renders a magical hue to every aspect of this story. A PEEK AT BATHSHEBA is the second volume, once again adorned on the cover with an image of her own painting. In this novel, the author's synopsis serves the book well: 'Against the backdrop of wars, raging within the land and without, David is growing into the mantle of leadership. Between his anointment as a tribal king and his anointment as the king of all of Israel, he uses wisdom, cunning, and his own understanding of the forces of history, aiming for high ideals: stopping the bloodshed, uniting the nation, and bringing about healing and peace. But then, having reached his peak, David falters. He makes a serious error that threatens to undo his political success, and cost him not only the adoration of his people--but also the sense of being sustained by a divine power. That error is the most torrid tale of passion ever told: his deliciously forbidden love for Bathsheba, followed by his attempt to cover up the ensuing scandal by sending her husband--who serves him faithfully in his army--to his death.

David uses modern language, indicating that this is no fairytale. Rather, it is a story that is happening here and now. Listen to his voice as he undergoes a profound change, realizing the magnitude of his sin, and the curse looming over his entire future.' THE EDGE OF REVOLT is her third installment of THE DAVID CHRONICLES novel and gratefully is again adorned on the cover with an image of her own painting! `Struggling to find the right balance between loving his sons and upholding justice, David is silent when Amnon rapes his daughter, Tamar, and when Absalom lures Amnon to his death. These crimes go unpunished, because a mysterious change has come upon the king, which his court scribes note even before he does. In the past he had to explain his actions, such as the affair with Bathsheba, to them. Now, they want to understand the opposite thing: his lack of action. In families other than his, such matters may be a mere matter of gossip. Yet when assault, incest, and murder occur in the king's family, they affect matters of the state. David is toppled from his throne, and must escape from the son he adores, Absalom. Even as he finds a way to quell the revolt and come back to the City of David, the road ahead seems unclear. How will he find the right successor amongst his remaining sons, the one who will connect to him and continue his legacy?'

But the miracle of Uvi Poznansky's writing is her uncanny ability to return to old stories and make them brilliantly fresh. This retelling of the Biblical David unveils a character far more profound and fragile than the slayer of Goliath. His personality radiates from every page as he progresses to old age and Poznansky's gift for poetry renders a magical hue to every aspect of this story. At times startling, as times awe-inspiring, and at all times fine reading, this is a welcome addition to the growing library of one our more important writers. Grady Harp, February 15

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