Monday, May 5, 2014

A curvaceous outline of a nude

Having failed to bring the Ark to Jerusalem I decide to wait before giving it another try. Meanwhile I cannot focus my thoughts. They stray from one thing to another. I look for something, anything to occupy them.
I find it quite by accident. 
One night, unable to fall asleep, I sneak out of the palace without telling the guards. I take a long walk downhill, and find myself at the mouth of a cave, just above the Kidron valley. By the damp touch I remember passing here before, on my way to the water shaft, as I climbed up to storm the city—but at that time I was focused on the upcoming battle, and took little notice of the beauty, the eerie beauty of this place. 
Once my eyes get used to the darkness I start sloshing around, barefoot. Reminded of my days as a fugitive I am drawn inside, hoping to feel ensconced in a sense of safety. 
It is here that I discover a hidden marvel. 
Fed by underground water that accumulate in an even deeper cave, somewhere below the surface, a spring gushes out. Splash, squirt, stop, it spurts water every so often. I know its Hebrew name, the Gihon Spring, which captures its rash, intermittent nature.
First I make a note to myself to talk to my engineers, so they may redirect the flow into the valley, to water the terraced plots on the slope, which I plan to name The King's Garden. Then I forget all about it, because I find myself utterly absorbed in music, in the resonance of sounds around me. 
I watch the cracks in the rock, and listen how water gurgles underneath them, how it comes, siphoned out with a big, sudden splatter, only to be swallowed back once again. 
Such is the ebb and flow of life. 
Climbing up I imagined the view I would have up there, at the top of the world. Having achieved victory I am beginning to come down now, seeking reflection. 
From outside the cave comes the hoot of an owl. Outlined against a dreamy moonlight, it strikes its upright stance, and turns its large, broad head to face me. Its gaze meets mine. At the moment I feel a strange affinity to this bird of prey. Like me, it must cherish its solitude.
And as it spreads its feathers I think I see out there, behind the flutter, a curvaceous outline of a nude. As if coming alive out of some Babylonian plaque, there she stands, surrounded by more owls. Her flesh glowing with warm, reddish hues of terra-cotta, there is a vision of my Queen of the Night.
“Bathsheba,” I whisper, but my voice gets lost in the vacuous space. 
A moment later, the owl takes off. It rises away in its silent flight, and the illusive light of the moon starts dimming out.


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Sunday, May 4, 2014

Have a sip of Margarita, garnished with a slice of lime

Have a sip of Margarita, garnished with a slice of lime
With these books to read, you'll have a fabulous time
Happy Cinco de Mayo!


♡ MOM: Increase your chance to win your favorite #audiobook

Our Mother's Day event is in full swing!
Haven't joined yet? What are you waiting for? 
EXCERPTS: May 8 at 4:00pm PDT--May 10, 2014 3:00 PDT 
We will post excerpts for each of the audiobooks we offer.
In our picnic basket, each one of us has a card
If you have joined, your name is already inscribed on it
Want to increase your chances to win? 
Like, Comment, or Share the posts for your favorite audiobooks

GRAND FINALE: May 10, 2014 4:00 PDT
Join us on the picnic blanket
We will remove the lid of the basket
Each one of us will get out her Mother's Day card
And announce who won her books

In our family, forgiveness is something you pray for

In Anita, he may catch a glimpse of mom, reborn. 
Mirrored in the open wing of the piano, her face is so young, so alive with the red glow of her hair. Her green eyes shine back from the polished surface. This, I suppose, is why my father is so drawn to Anita. Apparently, he wants her to learn to play the piano, but then—even though she is just a beginner—he expects her to reach a level which no one can sustain. Not even mom.
In our family, forgiveness is something you pray for, something you yearn to receive—but so seldom do you give it to others. 
And so, Anita may never stumble, never make any mistakes, because he wants her to be exactly, just exactly like mom, who in her good years—before losing her balance—could produce such a heavenly sound, and vary it over an incredible range, from a murmur to a powerful burst, until her music would swell in you, and bring tears to your eyes. 


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Friday, May 2, 2014

The past you imagined was all lies, lies, lies

Don’t open your eyes
Try not to see
Things are no longer
Where things ought to be

That voice—is it her?
Behind a closed door
She calls you a stranger
Your mother no more

Breathe through the moment
Turn, turn your eyes
The past you imagined
Was all lies, lies, lies

Things are no longer
Where things ought to be
Who is this stranger
Is it still me?


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Thursday, May 1, 2014

I touch my belly and feel the beginning, the very beginning of change

"I gaze across the ceiling and along the walls, trying to pick out every shade, every hint. And there, opposite the bed I spot my wedding dress which—now I recall—I’ve hung on the coat rack, right there in the corner. 
The corner of the bedroom is the only place here which I reckon  is truly mine. Strange, no? I still feel that way, despite having slept here with him, on and off, for like, the past ten years. I keep telling myself that I must claim this space, claim it as mine, right away. And maybe I will one day, when the baby’s born. 
Staring at that corner I know one thing, and I know it real clear, at once: this lovely dress, made of heavy satin and trimmed with lace and beading and what not, which I’ve dyed, the morning after the wedding, orange at the top and purple at the bottom, so it can still be used in the future—like, at dances and parties and stuff—this dress isn’t gonna to fit me no more. 
Up to now I’ve pictured it in my head, shining awful brilliant, just like a rainbow, and swirling all around me; and with every step, billowing between my legs, and like, making me adorable, so adorable in Lenny’s eyes—but now that I touch my belly and feel the beginning, the very beginning of change, right here around my waist, what’s the point of all that."


This is my charcoal drawing titled The Wedding Dress, inspired by a wedding dress that a friend of mine inherited from her mother. In it I contrast the loveliness of the dress, and all the dreams it invokes, with the nakedness of the figure, who at this point is left without illusions.

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So far I doubt she has caught the sound of my footfalls

"So far I doubt she has caught the sound of my footfalls. I edge closer, advancing stealthily along the shadow, a seemingly endless shadow cast across the flat surface of her roof by my tower. Never once do I stop to remind myself that such behavior is unbecoming of a king.
And who can blame me? In her presence I am reduced to a boy.
I must find a way to impress her. Which is why I brought my crown along, even though it sits somewhat uncomfortably on my head. It is a bit too large for me, and too heavy, too.
On my way I leap across a staircase, leading down from the roof. On a railing, here in front of me, hangs a large Egyptian towel, as if to mark a barrier. I tell myself, This isn’t right. I should stop, stop right here and whatever happens I should cover my eyes, avoid taking a peep at her... Shall I turn back? 
And immediately I answer by asking, What? Stopping midway is nothing short of a sin...You’ll never forgive yourself... To which I say, stop talking to yourself already! Are you out of your mind?
Behind the towel I can see a puff of steam rising. Bathsheba must have poured boiling water into her tub only a minute ago. One kettle, set down by the claw-foot of the thing, has been emptied, the other—still full, waiting for its turn. Now, out of the swirl of vapors, her shoulders start to take shape."

This is my watercolor painting (homage to Rembrandt) of Bathsheba. 
I am thinking of using this painting for the cover of my next book, Bathsheba (The David Chronicles.) 

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